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projects ISSN 2595-4245


abstracts

português
A Portico Gallery for Decorative Arts and Sculpture deu ao The Frick Collection uma nova lógical espacial, transformando um espaço anteriormente aberto, em uma galeria 'interna no exterior'. Mas ainda manteve a característica original do espaço.

english
The Portico Gallery for Decorative Arts and Sculpture has given to The Frick Collection a new spatial logic, tranforming a space previously opened, into a 'interior outdoor' gallery. But still mantaining the original characteristic of the space.

how to quote

PORTAL VITRUVIUS. Architectural Facts. Portico Gallery for Decorative Arts and Sculpture. Projetos, São Paulo, year 12, n. 137.02, Vitruvius, may 2012 <https://vitruvius.com.br/revistas/read/projetos/12.137/4359>.


The first addition to The Frick Collection in nearly thirty-five years, The Portico Gallery for Decorative Arts and Sculpture has transformed an exterior loggia facing the Fifth Avenue Garden into a new interior gallery.

The goal of the design was to preserve the original character and feel of the loggia as an outdoor space. All the original exterior features and finishes of the Carrère and Hastings design have been cleaned and restored; the flooring was replaced with carefully matched bluestone in the original pattern. Now for the first time, the general public may enter the Portico during a museum visit and enjoy a fresh vista of the Fifth Avenue Garden.

Interior view of the new Portico Gallery for Decorative Arts and Sculpture, The Frick Collection, New York
Photo Michael Bodycomb

The bright and open character of the space is maintained by the addition of a new bronze framed glass enclosure running beside the exterior columns. To ensure the visual prominence of the colonnade, the number of glass panels was kept to a minimum, necessitating very large pieces of glass (up to 14’6” x by 6’9”) which span the full height of the colonnade. The glazing system employs some of the largest sheets of glass currently in production, which are anchored only at the floor by a 16” deep steel shoe.

At the western end of the Gallery, the design integrates the Rotunda, which forms a semi-enclosed room for Jean-Antoine Houdon’s sculpture, Diana the Huntress, completing the gallery’s spatial sequence with a view out to Central Park.

Exhibition lighting and technical devices are concealed within the wood and bronze frames of the new enclosure while ambient light is provided by four new lanterns that match the John Russell Pope fixtures in the Garden Court. A new heating and cooling system provides critical levels of environmental stability and is nearly invisible to the public, employing both original decorative grilles and in-floor radiant heating.

credits

Gross Floor Area
815 square feet

Groundbreaking
April 2011

Client
The Frick Collection

Architect
Davis Brody Bond (Carl F. Krebs, Partner in Charge; Mark Wagner; Nat Hoyt; Mayine Lynn Yu; Roman Ostrovskiy; Richard Kelly; Don Nicoulin)

Contractor
Westerman Construction Company

Lighting Designer
Renfro Design Group

Structural Engineers
Weidlinger Associates

MEP Engineer
Landmarks Facilities Group

Exhibition Designer
Stephen Saitas Designs

Facade Restoration
Walter B. Melvin Architects

Historic Preservation
Higgins Quasebarth & Partners

comments

137.02 galeria de arte
abstracts
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original: english

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137

137.01 art gallery

Isabella Stewart Gardner Museum Extension

137.03 galeria de arte

Luciana Brito Galeria

137.04 estádio

Mineirão

137.05 concurso publico

Concurso Público Nacional de Arquitetura para a Sede da CNM em Brasília

137.06

stcRIO - Competition results

137.07 praça pública

Plaza Polonia

137.08 bodega

Bodega Institucional La Grajera

137.09 cenografia

Cenário da peça “O despertar da primavera”

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